drug for arms dealers so shadowy they can out-Bigend Bigend himself. "Zero History is [Gibson's] best yet, a triumph of science fiction as social criticism and adventure."--BoingBoing.net
Zero History is a novel by William Gibson published in 2010. It concludes the informal trilogy begun by Pattern Recognition (2003) and continued by Spook Country (2007), and features the...
ZERO HISTORY Unsettling and memorable, weird flaws and all. Gibson's third thriller-ish novel... 7, 2010 ISBN: 978-0-399-15682-3 Page Count: 384 Publisher: Putnam Review Posted Online: June...
Publisher Description ; Hollis Henry never intended to work for global marketing magnate Hubertus Bigend again. But now she’s broke, and Bigend has just the thing to get her back in the game... · Milgrim can disappear in almost any setting, and his Russian is perfectly idiomatic—so much so that he spoke it with his therapist in the secret Swiss clinic where Bigend paid for him to be cured of his addiction... · Garreth doesn't owe Bigend a thing. But he does have friends from whom he can ...
has "zero history" – to brand-formation and marketing strategy. Since Pattern Recognition (2003), his novels have dealt not with imagined futures, but with the structured flows of...
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A kid-centric underdog tale set in drawly 1977 Georgia, Troop Zero wouldn’t be much more... But Ramsey reminds her he can’t afford to pay her to work, and some unexplained history...
Conceptually, Generation Zero has a lot of big ideas. Its setting, a 1980s alternate history where robots have taken over the Swedish countryside, is fresh and stylish in its specificity....
In the 1963 book that largely came to define her career, Eichmann in Jerusalem, historian and philosopher Hannah Arendt surmised that “the trouble with [Adolf] Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal.” The year was 1961, and the state of Israel was very publicly trying Eichmann for his architectural hand in the Holocaust. Arendt had begun covering the controversial spectacle for The New Yorker before it ballooned ...